Dracons could be the Drazilian mold cast into a different environment (or, vice versa). They have a tightly controlled society that is pressed down upon them by Drazil and his flunkies, and that is what makes them so meek and trusting. They may not be too creative with it, but they do possess individuality and self-worth. A Drazilian mother tells the player that she named her baby "Haguro Forty-Two" because it was the forty-second child to be born on Haguro Street. A later Drazilian notes how lucky the party must be to be "Red Citizens", who are allowed to carry weapons, as opposed to the "Blue Citizens", who aren't allowed to even buy kitchen knives and such utensils, let alone weapons. You must fix it, quickly!" Two quite different ways to say essentially the same thing. not like a local's), and the next Drazilian immediately after states that her face is ".quite unusual. Just before Layna's first conversation with Danette, Gig, and the Main Character: one Drazilian notes how sad it is to see someone with a face like Layna's (i.e. The Drazilians do have individuality and self-worth.And all of this still doesn't address the fact that the Dracon as a whole do not show any signs of either being particularly arrogant or of worshipping any differently than the rest of the races of Prodesto. The 'heads' you refer to are the aforementioned Drazilian gods, who were responsible for brainwashing them into that state, and were indeed exceedingly arrogant. Furthermore, their initial reaction to her (to try to 'help' her, as opposed to driving out the 'freak') is, under the circumstances, about as far from arrogant as you can get. They weren't looking down on her they honestly thought that anyone who didn't look like them was deformed, which wasn't an unreasonable assumption, given that they'd never seen anyone who didn't look like them before. Not to mention the heads of the Drazilian world tried to program Gig to destroy the earth world. Were you paying attention to the end of the game? All the Drazilians looked down on Layna, and indeed anyone who isn't a Drazilian.Most of the Dracon NPCs found in the various towns and cities come off as a bit reserved, but generally friendly. And Dio is pretty much the only Dracon who's shown to be particularly arrogant. Also, there's no indication that any Dracons other than Kanan and the rest of the Thurists worshipped anything but the gods of Apis, same as everyone else. Um, since when are Drazilians arrogant? Their gods, sure, but the Drazilians themselves are pretty much the exact opposite of arrogant, having no individuality and thus no sense of self-worth.Presuming that his sermon has some basis in fact, the Dracon could well be an early attempt by the Drazillians to impose their will on Haephnes, crafted in their likeness and fully expected to thrive by following the Drazillians' ideology exactly. The Dracon are (supposedly) superior to all of the past races, learning from their mistakes however, they also grow too obsessed with the past and ignore the future, to the point that they are completely unable to cope with change. In Father Valerio's sermon on the origins of the races, he refers to the Dracon being born by lightning cast by the gods.Not to mention the optional scene where Danette plays with Odie's manikin and snaps his neck, with apparently no major (read: long-term) side-effects.A World Eater even gleefully rants about how delicious a Dracon's soul is, and specifically refers to now possessing said Dracon's power even though he devoured several other souls at the time. Then there's Dio and his aspirations of practical Godhood. The Dracon appear to worship evil Gods, and draw their power from them. They possess strikingly similiar fashion sense, though the Dracosages' robes have less impressive Shoulders of Doom. Filled with blistering riffs and mind-melting breakdowns, get ready for No Mercy From Electric Eyes.The Dracon race are directly descended from Drazillians.Both act insanely arrogant. With release day imminent, we are very excited to unveil the newest DRV video for ‘Behead the King.’ Paying homage to Boston, both past and present, it features DRV’s newest member - Keith Bennett on vocals. “This new Death Ray Vision record is ready to rip your face off. It was a blast working with director Anthony Jarvis on the video.” “‘Behead The King‘ is about the helplessness you feel watching the world burn around you and being powerless to do anything about it. Death Ray Vision (Killswitch Engage, etc.) have premiered a new video for their new song “Behead The King.” This track is from the band’s new album “No Mercy From Electric Eyes,” which will be released on June 30.
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